Tampilkan postingan dengan label best camcorder professional. Tampilkan semua postingan
Tampilkan postingan dengan label best camcorder professional. Tampilkan semua postingan

Senin, 02 Juni 2014

Anyone no of a great professional camcorder?

Q. I am starting video production and am wondering what equiptment is the best to buy, at an affordable price. I guess I am wanting a professional camcorder at a budgeter's price.

A. Great question. Here are my top picks for the best professional camcorder. I have taken price into consideration. If you want HD:

1) Red Scarlet (coming soon, 2009) $3,000
2) Sony PMW-EX1 $6,000
3) JVC GY-HD200U $5,500
4) Panasonic AG-HVX200 $5,000
5) Canon XH-A1 $3,300

RED SCARLET: Many are skeptical about the Red Scarlet as it is a relatively unknown brand, but I believe it is the best professional camcorder under $10,000. No contest. With a traditional camcorder, like that made by Sony, Canon, etc, you'll be lucky if you get one that records in true HD. That is, most camcorders do NOT record in true 1920 x 1080 resolution, apart from the Sony PWM-EX1, as listed above. The Red Scarlet however, records footage in 3K, that is about 150% of the resolution of 1920 x 1080 HD. All that for $3,000. I don't know how well the Scarlet will perform when it is released in 2009 as far as color reproduction, cinematic look, audio capabilities, and manual controls, but I do know that it gives you better resolution than any camera I know of under $20,000. Therefore, the Red Scarlet is definately worth looking into. 3K footage for under $3K is a total steal!
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SONY PMW-EX1: It is a relatively new camcorder that records to tapeless media the SxS cards. The EX1 has better resolution that its Canon, Panasonic and JVC competitors, as the XDCAM cards do NOT compress nearly as much as HDV. Another huge advantage is that it has 3 CMOS chips that are 1/2" each, as opposed to 1/3" or smaller chips found on every other camera under $10,000. The larger image sensor gives your picture a much narrower depth of field, which is great for budding filmmakers, wanting that look of celluloid film. The only setback is that the EX1's media format, the SxS XDCAM media cards only record about 25 minutes of high quality footage on the supplied card, and purchasing additional cards is very expensive.
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JVC HD200U
The HD200U is no Sony, Panasonic, or Canon, but it is an excellent camera nonetheless. Some pro reviews have said that the earlier model, the HD110U was the second best camera as far as picture quality in the prosumer level, next to the Canon XL-H1, which is $8,000. I really like the HD110 and HD200 as it is the only prosumer HD camera, apart from the XL-H1 with interchangeable lenses, rather than a built in lens. The only problem is that the HD200U does not record HD in 1080p or 1080i, but instead, it only has a lower-resolution 720p mode. To me, this isn't all that bad, as I prefer 720p at 60fps over 1080p at 30fps; it blurs much less, but you'll have to make the decision. Numerous independant films have been shot on the JVC HD110 and HD200, so its an excellent camera!

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Panasonic HVX200: The HVX200 is a great inexpensive choice for the indie filmmaker. It has excellent picture quality and an excellent 24p mode. Another huge upside is that it records to both HDV OR P2 cards, so its really convenient. However, it does not have quite as good picture quality as the Sony EX1, nor does it have interchangeable lenses like the JVC HD200. It's an excellent, well-rounded HD camera nonetheless. I found it works excellent with the Redrock M2 35mm adapters though.
____________
Canon XH-A1: The XH-A1 is rated as one of the best cameras out there for its combination of quality and value for your money. I agree. It's a nice, well rounded camera; relatively easy to use (compared to the others at least) and is packed with loads of features, making it an excellent value. My only problem is that it does not have a 720p mode. It also lacks a real 24p mode, and instead has what Canon calls a 24f mode. According to Canon, the 2 are identical, but I really don't know.

For standard definition, which is still a great option, as HD is still new and expensive:
1) Panasonic AG-DVX100B $2,500
2) Canon XL2 $3,000
3) Sony DSR-PD170 $2,500

I really can't decide whether I like the DVX100B or the XL2 better. I'm leaning towads the DVX100B as a better overall camera (and its very user friendly), but then again, the XL2 has interchangeable lenses. Both can record in 24p, which is a great option. The PD170 is a total low-light wonder, is easy to use, but does not have a 24p mode.

If this is still not what you had in mind for a budget, here are some decent consumer HD cameras:
1) Sony HDR-HC3 and HDR-HC9
2) Canon HV20 and HV30

both are HDV. I highly recommend it. I can't stand mini DVD or flash media. HDV is also considerably better than Hard Disk camera; they don't compress your footage quite as much.


Hope that helps, and I apologize if that's still not what you had in mind. Well good luck, and have fun!!!


Cheapest professional camcorder?
Q.

A. If you define "professional camcorder" as one with:
=> Lens filter diameter of 70mm or larger;
=> 3CCD or 3CMOS imaging chip array 1/4" or larger;
=> separate manual focus ring and manual zoom ring and manual audio gain control on the outside of the camcorder - and a bunch of other manual controls also on the outside of the camcorder and not buried in a menu;
=> XLR audio connectors;
=> low compression video image storage - No AVCHD.

Then the least expensive will be among the
JVC GY-HM100
Panasonic AG-HVX200
Sony HVR-Z1; HVR-Z5
Canon XHA1
These are all high definition...

For Standard Definition only, there's the Panasonic AG-DVX100 and the Canon XL2 - among others...

There are some prosumer camcorders that trade the XLR audio connectors for 1/8" stereo jack - like the Sony HDR-FX7, HDR-FX1000 and a couple of others...

Keep in mind that the camcorder is only one part of the "system"... You need a decent tripod or other steadying device(s), a couple of wireless clip on or wired handheld mics; video lighting, cases to protect your investment and a computer that can deal with the importing process and software that can deal with the video captured.

AND, just because a prosumer or prograde camcorder is used does not mean usable video will always be captured. Someone with experience and skill can capture "good video" using a low-end consumer camcorder... and someone with no skill could use the most expensive camcorder available and not get any "good video".





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Selasa, 04 Februari 2014

Anyone no of a great professional camcorder?

Q. I am starting video production and am wondering what equiptment is the best to buy, at an affordable price. I guess I am wanting a professional camcorder at a budgeter's price.

A. Great question. Here are my top picks for the best professional camcorder. I have taken price into consideration. If you want HD:

1) Red Scarlet (coming soon, 2009) $3,000
2) Sony PMW-EX1 $6,000
3) JVC GY-HD200U $5,500
4) Panasonic AG-HVX200 $5,000
5) Canon XH-A1 $3,300

RED SCARLET: Many are skeptical about the Red Scarlet as it is a relatively unknown brand, but I believe it is the best professional camcorder under $10,000. No contest. With a traditional camcorder, like that made by Sony, Canon, etc, you'll be lucky if you get one that records in true HD. That is, most camcorders do NOT record in true 1920 x 1080 resolution, apart from the Sony PWM-EX1, as listed above. The Red Scarlet however, records footage in 3K, that is about 150% of the resolution of 1920 x 1080 HD. All that for $3,000. I don't know how well the Scarlet will perform when it is released in 2009 as far as color reproduction, cinematic look, audio capabilities, and manual controls, but I do know that it gives you better resolution than any camera I know of under $20,000. Therefore, the Red Scarlet is definately worth looking into. 3K footage for under $3K is a total steal!
______________
SONY PMW-EX1: It is a relatively new camcorder that records to tapeless media the SxS cards. The EX1 has better resolution that its Canon, Panasonic and JVC competitors, as the XDCAM cards do NOT compress nearly as much as HDV. Another huge advantage is that it has 3 CMOS chips that are 1/2" each, as opposed to 1/3" or smaller chips found on every other camera under $10,000. The larger image sensor gives your picture a much narrower depth of field, which is great for budding filmmakers, wanting that look of celluloid film. The only setback is that the EX1's media format, the SxS XDCAM media cards only record about 25 minutes of high quality footage on the supplied card, and purchasing additional cards is very expensive.
_______________
JVC HD200U
The HD200U is no Sony, Panasonic, or Canon, but it is an excellent camera nonetheless. Some pro reviews have said that the earlier model, the HD110U was the second best camera as far as picture quality in the prosumer level, next to the Canon XL-H1, which is $8,000. I really like the HD110 and HD200 as it is the only prosumer HD camera, apart from the XL-H1 with interchangeable lenses, rather than a built in lens. The only problem is that the HD200U does not record HD in 1080p or 1080i, but instead, it only has a lower-resolution 720p mode. To me, this isn't all that bad, as I prefer 720p at 60fps over 1080p at 30fps; it blurs much less, but you'll have to make the decision. Numerous independant films have been shot on the JVC HD110 and HD200, so its an excellent camera!

_______________
Panasonic HVX200: The HVX200 is a great inexpensive choice for the indie filmmaker. It has excellent picture quality and an excellent 24p mode. Another huge upside is that it records to both HDV OR P2 cards, so its really convenient. However, it does not have quite as good picture quality as the Sony EX1, nor does it have interchangeable lenses like the JVC HD200. It's an excellent, well-rounded HD camera nonetheless. I found it works excellent with the Redrock M2 35mm adapters though.
____________
Canon XH-A1: The XH-A1 is rated as one of the best cameras out there for its combination of quality and value for your money. I agree. It's a nice, well rounded camera; relatively easy to use (compared to the others at least) and is packed with loads of features, making it an excellent value. My only problem is that it does not have a 720p mode. It also lacks a real 24p mode, and instead has what Canon calls a 24f mode. According to Canon, the 2 are identical, but I really don't know.

For standard definition, which is still a great option, as HD is still new and expensive:
1) Panasonic AG-DVX100B $2,500
2) Canon XL2 $3,000
3) Sony DSR-PD170 $2,500

I really can't decide whether I like the DVX100B or the XL2 better. I'm leaning towads the DVX100B as a better overall camera (and its very user friendly), but then again, the XL2 has interchangeable lenses. Both can record in 24p, which is a great option. The PD170 is a total low-light wonder, is easy to use, but does not have a 24p mode.

If this is still not what you had in mind for a budget, here are some decent consumer HD cameras:
1) Sony HDR-HC3 and HDR-HC9
2) Canon HV20 and HV30

both are HDV. I highly recommend it. I can't stand mini DVD or flash media. HDV is also considerably better than Hard Disk camera; they don't compress your footage quite as much.


Hope that helps, and I apologize if that's still not what you had in mind. Well good luck, and have fun!!!


Cheapest professional camcorder?
Q.

A. If you define "professional camcorder" as one with:
=> Lens filter diameter of 70mm or larger;
=> 3CCD or 3CMOS imaging chip array 1/4" or larger;
=> separate manual focus ring and manual zoom ring and manual audio gain control on the outside of the camcorder - and a bunch of other manual controls also on the outside of the camcorder and not buried in a menu;
=> XLR audio connectors;
=> low compression video image storage - No AVCHD.

Then the least expensive will be among the
JVC GY-HM100
Panasonic AG-HVX200
Sony HVR-Z1; HVR-Z5
Canon XHA1
These are all high definition...

For Standard Definition only, there's the Panasonic AG-DVX100 and the Canon XL2 - among others...

There are some prosumer camcorders that trade the XLR audio connectors for 1/8" stereo jack - like the Sony HDR-FX7, HDR-FX1000 and a couple of others...

Keep in mind that the camcorder is only one part of the "system"... You need a decent tripod or other steadying device(s), a couple of wireless clip on or wired handheld mics; video lighting, cases to protect your investment and a computer that can deal with the importing process and software that can deal with the video captured.

AND, just because a prosumer or prograde camcorder is used does not mean usable video will always be captured. Someone with experience and skill can capture "good video" using a low-end consumer camcorder... and someone with no skill could use the most expensive camcorder available and not get any "good video".





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Rabu, 18 September 2013

what is the diffrence between a cheap camcorder and a professional one?

Q. I want to know what makes professional camcorders so much better. They are all 1080p, what else is there to justify a price diffrence?

A. Hi Matthew:

There is a "laundry list" of features that separate a typical under-$1000 consumer model with pro-level camcorders that start out costing 2-3 times that, and then go way-past the $50,000 price tag.

(Three separate video sensors instead of just one, larger sensor size, faster video bit-rate storage ―with less compression― for better quality image, 2- & 4-channel XLR audio connections & controls, rugged construction for heavy-duty daily use, larger diameter lenses & better optics, on-board technical adjustments & monitor features that rival a TV engineering rack, larger battery packs that can run all day, etc.)

But since your Question mentions the common-factor of "1080" (not all HD cameras are 1080p, some are 1080i or 720p) I'll separate a few more details that are just video-related, since that "sameness" has you wondering.

Broadcast quality cameras start out with 3 image sensors (CCD or CMOS), one for each "primary" color (Red, Green, Blue). And special beam-splitters or prisms with precision alignment feed the lens image to these sensors. Since video is processed and digitized using separate color & brightness info, the 3 separate signals allow the best quality and adjustment control. (Right there you are tripling most of your camera cost.)

Larger sensors catch more light, and have less "video noise" in darker settings. Consumer sensors are typically less than =half= the size of a dime! Each of the 3 image chips in a pro-camera are about the size of a U.S.quarter, and can have over 10-times the surface area of a small camcorder's 4mm x 3mm chip. (And using 3 pro-size chips triples that light-gathering area to 30x bigger!)

Larger sensors can make use of larger diameter lens elements, which allow more light to the chips. Bigger optics using high-grade optical-quality glass elements are more expensive, and just the large zoom lens on a TV studio camera or sports field camera can cost over $50,000 without the camera body. And changeable lens mounts & all the needed mechanical/electrical connections cost more.

And consumer camcorders use higher levels of video compression than pro-camcorders, to save on storage cost & space, and the required electronics for fast video signal processing. (This benchmark is called bit-rate, and is measured in Mbit/s or Mbps [Megabits per second, not MegaBytes].) SD memory cards' read/write speed tend to be rated in MegaBytes/sec; e.g., Class 10 = 10-MB/s minimum, which would equal 80-Mbits/s, since there are 8-bits per Byte.

Higher compression just "samples" & keeps a fraction of the actual video frames & fine detail. So, for every second of video captured, your "HiDef" consumer camcorder is only storing about 3 full-detail frames (called I-frames), and is using math algorithms to only keep "predictive" information (P-frames & B-frames) about the 2-dozen or so discarded frames.

Pro cameras can utilize either un-compressed or low-compression video with better fidelity (less interpolated or "guessed at" video data).

So, basically, not all "1080" HD is equal.

hope this helps,
--Dennis C.
 


What is a Good HD Professional Camcorder that can be used to Film Skateboarding?
Q. What is a Good HD Professional Camcorder that can be used to Film Skateboarding?

doesnt even have to be hd but whats a good one?

A. I would suggest Sony HDR-FX7 3-CMOS Sensor HDV High-Definition Handycam Camcorder with 20x Optical Zoom.Great HD Professional Camcorder which not too expensive.
http://www.amazon.com/gp/product/B000IBDWNS?ie=UTF8&tag=computer0bd-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000IBDWNS





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Kamis, 22 Agustus 2013

What camcorder should I get for movies and commercials?

Q. Im looking for a camcorder that is professional, HD, SD card, and something that has longevity. I dont want to make an investment and something better comes out. Ive heard of the RED cameras but I cant afford that. Ive looked at some DSLR's. What do you recommend for movies and commercials?

A. Take a look at the Canon XF100. As far as I have seen, it is the only Pro-camcorder at it's price to get a 50 mbps data rate. Everything else under about $5000 is getting half of that, making them little better than a good consumer twinkie-cam.

At $3300, the XF is not much more expensive than a 5DM2 with a good lens.


Would I be able to create a television commercial that is professional looking and sounding for less than $2k?
Q. I'm thinking about getting a 1080p camcorder and a professional microphone. Editing in Adobe Premier and After Effects. Can this setup match commercial production?

Is there any specific equipment you'd like to recommend?

A. Minimum camera: Canon HV30 or Sony HDR-HC9
Suggested cameras: Sony HDR-FX7, HDR-FX1000, HVR-Z1, HVR-V1; Canon XL2, XHA1; Panasonic AG-DVX100; AG-HVX200

Minimum mic: Audio Technica AT875R shotgun mic. If used with the HV30 or HDR-HC9, add a XLR adapter (with phantom power - check juicedLink CX231 or BeachTek DXA-6HD).
Suggested mics: Sennheiser wireless lavaliere (1 or more as needed) + any Sennheiser shotgun or Audio Technica AT8035 or above

Minimum external audio capture: Zoom H4
Suggested external audio capture: Anything from Fostex

Boom pole, shock mount, cables, tripod (Bogen-Manfrotto - weight rated at least 2x more than the camera - with a fluid head), maybe a crane (Kessler), lighting...

We don't know what the commercial is about.
We don't know if you need lighting.
We don't know if you need to pay talent.
We don't know if you need to pull any permits.
We don't know if you need to rent studio space.
We don't know if you need grips, construction, electrical, safety, craft services, wardrobe, makeup, vehicles, and lots of other stuff.

To answer your question directly: Yes it is possible - but you have not provided enough information about the project to understand the requirements. We also do not know what your skillset is. Equipment alone does not make things "look professional" A pro with low end equipment and skill will provide better and more compelling content than a novice with no skill and the best available equipment.





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Senin, 08 Juli 2013

how slow can I get my camera to film?

Q. I want to make my camera ( http://www.usa.canon.com/cusa/consumer/products/camcorders/professional_camcorders/xa10#Specifications )

the canon hd xa10 ($2000)
film in slow-mo but I don't know how to adjust the settings to make it like 500fps or 250fps or whatever amount. when I make it slow the quality sucks. help?

A. The question is why don't you just do some tests?

That would be the most straight forward way to find that out.

The reason that the image quality is reduced is because video cameras that can shoot at high frame rates, the resolution could be as low as 340 x 240 pixels so is much, much smaller than a Full HD resolution (1920 x 1080p)

That said, I just looked in the user manual and 250 fps and 500 fps are not options with that camera. Page 50 lists the available frame rates


What are good, moderately priced semi-professional camcorder?
Q. I'm a Journalism major and I'm currently in production of a documentary about religion practiced in my hometown for my school.

As I'm currently in college, I have very little money to spend. One pf my goals is to be an indie film/documentary director. As such, I would love to purchase a good camcorder.

What is a good camcorder of semi-professional/professional quality that I can purchase for a moderate price (at least as moderate as a camera will allow).

P.S., as a little side question, would kick-starter be a good way to raise money? For the project as well as the equipment?

A. My definition of a "professional camcorder":

Lens filter diameter = 70mm or larger
Imaging chip is 3CCD (3CMOS is acceptable but not preferred) that is 1/3" or larger.
Audio inputs are XLR connectors. If the camcorder has a single 1/8" (3.5mm) sretro audio input, then it drops to "prosumer".

The Canon XHA1 meets all these requirements of "pro grade". The Sony HDR-FX1000 meets all the requirements for "prosumer" and an XLR (juicedLink or BeachTek) adapter can be used for XLR mics. The Sony HVR-Z5 and Panasonic AG-HVX200 round out the list of entry-level pro-grade cams that meet or exceed the stated requirements. I think the Panny is the only one that comes with a shotgun mic for camera mounting but all the others can mount a shotgun mic. Since I prefer Sennheiser or Audio Technica shotgun mics, it does not really matter.

The next step up has the Canon XF and XLH lines; Sony HVR-Z7, HDCAM/XDCAM lines and the JVC GY-HM series.

All are "digital" including those using miniDV tape. Remember, the "DV" in miniDV = digital video.

If your definition of "semi-professional/professional camcorder" is different, please let us know what that is so appropriate suggestions can be provided to you.

When you research these, you will find pricing from around $3,000 up to $60,000. "Moderate price" is relative. Remember that the camcorder is a small piece of a larger system. You will also need a good, sturdy tripod and other steadying devices, video lights, optional batteries from the manufacturer, cables, cases, mics (there is no single "best" mic), video editing application, possible computer upgrades to be able to edit the video you capture...

Kick starter? We don't know where you are. Perhaps there are small businesses in your area willing to pay few $ for video production for posting to the web or there is a local wedding/event videographer willing to take you on as an intern or parents willing to pay for video capture of their children's sports activities or stage performances.With little/no experience with video capture, selling video services, editing and delivering a final product to your customer, this could be an interesting learning experience for you.





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Kamis, 20 Juni 2013

What is a Good HD Professional Camcorder that can be used to Film Skateboarding?

Q. What is a Good HD Professional Camcorder that can be used to Film Skateboarding?

doesnt even have to be hd but whats a good one?

A. I would suggest Sony HDR-FX7 3-CMOS Sensor HDV High-Definition Handycam Camcorder with 20x Optical Zoom.Great HD Professional Camcorder which not too expensive.
http://www.amazon.com/gp/product/B000IBDWNS?ie=UTF8&tag=computer0bd-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000IBDWNS


What are some good professional camcorders for that are good for filming concerts?
Q. What are some professional camcorders for that are good for filming concerts? Must be good in low lighting as well. Price is not an issue. Thanks!

A. I like the Sony HVR-Z5 and Z7... and most of the higher end of the HDCAM series, but it depends on your requirements.





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