Q. I'd like HD quality (at least 720 pixels), but as long as the video quality is good.
My main focus is the audio quality. There will be A LOT of screaming.
Never been to a concert before but I wanna be prepared.
What camera do you use when you want to record at a concert? :)
They don't sell DVDs..?
My main focus is the audio quality. There will be A LOT of screaming.
Never been to a concert before but I wanna be prepared.
What camera do you use when you want to record at a concert? :)
They don't sell DVDs..?
A. Sony HDR-CX260V High Definition Handycam 8.9 MP Camcorder with 30x Optical Zoom and 16 GB Embedded Memory (Black) (2012 Model)
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What kind of camera and speed was used to film this rap video?
Q. I'm trying to find the exact specifications on replicating a video of this quality in 2012. What speed, lens, or camera would allow me to do this?
here is the youtube link to the video:
Capone n Noreaga, Mobb Deep, Tragedy - L.A L.A
http://www.youtube.com/watch?v=YhEJ2Oe0vXc
here is the youtube link to the video:
Capone n Noreaga, Mobb Deep, Tragedy - L.A L.A
http://www.youtube.com/watch?v=YhEJ2Oe0vXc
A. Hi Joelvan, and welcome to Yahoo!Answers:
This 1996 music video could have been made either with film cameras or video cameras. Several lenses were used (you can tell when the "fisheye" or wide-angle lens shots come in). Depending on the budget for the production crew, film would have probably been the most cost-effective medium for all the different locations used, considering what the cost of good camcorders was back then and the difficulty in finding changeable lens kits (although screw-on front fisheye adapters might have been used with a stock video camera lens).
The high-contrast black & white effect could have been done with film stock or with a B&W video effect. (Same thing can be done today with either a video camera setting or in the editing process.) The "gamma" of film can be altered or a grainy high-contrast look in video achieved to yield what you see in the final music video.
For a modern version of this production, shot in 4:3 screen ratio (not widescreen HD), you'd want a good miniDV, Betacam, or DVCAM tape-format camcorder with changeable lenses (or decent threadable front filter-mount fisheyes for those scenes). A standard 10x or 12x zoom lens would handle the other shots. I'd shoot either regular 30fps video on an older camcorder, or 24p or 30p on a newer camera that has changeable frame-rate settings. I'd also shoot in full-color, waiting until post production (editing) to subtract the color and alter the contrast.
hope this helps,
--Dennis C.
Â
This 1996 music video could have been made either with film cameras or video cameras. Several lenses were used (you can tell when the "fisheye" or wide-angle lens shots come in). Depending on the budget for the production crew, film would have probably been the most cost-effective medium for all the different locations used, considering what the cost of good camcorders was back then and the difficulty in finding changeable lens kits (although screw-on front fisheye adapters might have been used with a stock video camera lens).
The high-contrast black & white effect could have been done with film stock or with a B&W video effect. (Same thing can be done today with either a video camera setting or in the editing process.) The "gamma" of film can be altered or a grainy high-contrast look in video achieved to yield what you see in the final music video.
For a modern version of this production, shot in 4:3 screen ratio (not widescreen HD), you'd want a good miniDV, Betacam, or DVCAM tape-format camcorder with changeable lenses (or decent threadable front filter-mount fisheyes for those scenes). A standard 10x or 12x zoom lens would handle the other shots. I'd shoot either regular 30fps video on an older camcorder, or 24p or 30p on a newer camera that has changeable frame-rate settings. I'd also shoot in full-color, waiting until post production (editing) to subtract the color and alter the contrast.
hope this helps,
--Dennis C.
Â
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